Monday Review: Utopia (DVD)

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As a TV series, Utopia had everything that a good Christian viewer should avoid: loads of violence, constant bad language, casual (if non-graphic) sex, and a completely gratuitous Welsh accent.

It was awesome.

As you might expect from the title, Utopia is a very dark story. The title is taken from that of an obscure graphic novel, which appears to contain many and various clues to far-reaching conspiracies, within and far beyond the British government. When the sequel to Utopia is found, its custodian offers to share it with a small group of fellow comic book nerds he meets on a Utopia message board – and so it is that an IT consultant, a survivalist nut, an 11-year-old boy and a student convinced her father’s death was somehow linked to the comic book come together and find themselves on the run as the conspiracies they unravel go ever deeper.

To say much more about the plot would be annoying, because the fun (if watching Utopia can be considered fun) is in watching this motley crew try to make sense of the dark and confusing world they find themselves in.

What I can say though, is that it is clever, funny, shocking and not a little disturbing. For a 6-part series produced by a little British TV channel, it looks great; the visual style is like nothing else I can think of in TV-land. The soundtrack, too, is brilliantly moody.

Some of the bad guys were straight out of a comic book – perhaps intentionally, given the storyline – but the main characters were well enough acted that I was hooked on them.

It helps that the producers didn’t allow themselves to be cramped by the typical 60-minutes-including-ads timeframe; when they aired on TV the episodes were all different lengths, and all over an hour. A good argument that those few minutes can make a difference.

If there is a down point – and this is a very small one – the final scenes are very obviously from a show that isn’t sure it will get a second series. Perhaps an understandable reservation considering how groundbreaking Utopia was in many ways, just enough loose ends were left so that anyone who made it to the end would be tuning in for series two (which has since been confirmed).

Anyone with a passing interest in conspiracy theories will, of course, love Utopia. It’s definitely not for the faint-hearted – there were some things done with chillis that had me hiding behind the sofa – but neither is it an all-out gore-fest.

Above all, it is an object lesson in why you should never meet someone you only know from an internet forum.


Oblique Strategies

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This is sort of a follow-up to the CD review in the last post, because Another Green World, like a number of other Brian Eno albums, was produced under the guidance of Oblique Strategies, a set of prompt cards Eno put together along with artist Peter Schmidt.

And discovering this inevitably got me procrastinating thinking: Hey, that might be a fun way to start a random writing project! I wonder if you can find them on the interwebs?

Long story short: of course you can. What can’t you find in the interwebs?

Originally, of course, they were intended to unstick writers block during songwriting and composition, and so some of the original strategies are completely useless when applied to, say, character development or short story plotting. But, as strategy #56 says (probably): Never let irrelevance get in the way of a good idea. So what the heck, I haven’t got anything else to blog about, so let’s fire up google our favourite search engine and see what we find…

Several minutes later…

Here I present a random selection of strategies from the various online decks that I shuffled; each of the following was generated randomly by a different website.

Disconnect from desire

You can only make one dot at a time

Children -speaking -singing

Go outside. Shut the door

Emphasize the flaws

Change nothing and continue with immaculate consistency

Just carry on

Ok, perhaps not as successful as perhaps it might have been, but emphasizing flaws or disconnecting from desire could lead to something interesting, and ‘Just carry on’ is plain good writing advice straight from the Chris Baty school of thought…

The sites linked above (and in the sidebar) are all good for an instant, fresh strategy, although I haven’t played around sufficiently yet to see if any are more random than others, or better suited to fiction writing. Some are more pleasing to the eye than others, if that sort of thing is likely to bother you (the more colourful pages made me less prone to repeat clicking); some give you an option on which version of the ‘hard copy’ they are based on; and one kept crashing Java on my laptop.

Based on a few clicks, my favourite so far is the heroku version, which has a nice clean look, and offers a choice from any or all of the five editions so far released.

As an alternative, there are a number of twitter options that will deliver a strategy every hour until you get fed up and unfollow them.

Or you can buy a deck of the actual cards from the Brian Eno web store, if you prefer.

In the meantime, feel free to assist in my research by clicking through and seeing what turns up. I may not fully utilise it’s story-powering potential for another six months, but when I do there will be an update here. If you join in and end up writing a story based on Oblique Strategies, please do comment and let me know what strategy you’re following 🙂

 

Tuesday Tunes: Another Green World by Brian Eno

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One of the things I want to do with the Tuesday Tunes segment is to give a shout out to some of the music that has accompanied and inspired my writing. My musical muse. There are a handful of artists whose music I keep coming back to while writing, and one of them, who will no doubt return to these pages, is Brian Eno.

Recorded in 1975, Another Green World was the last album recorded under the more mysterious name of Eno, and marks the start of a transition from the glam-rock inspired sound of his first two solo efforts, towards the more experimental, ambient sounds he later became known for.

There are lyrics to some of the tracks of this album, although as the opening track, Sky Saw, says:

All the words float in sequence
No-one knows what they mean
Everyone just ignores them

And that’s exactly how it is; only five out of the 14 tracks on this disc have lyrics, and those that do are pretty easy to ignore, which for me, makes ideal writing music. They range from the mellow St Elmo’s Fire, to the more upbeat I’ll Come Running, to the slightly creepy Golden Hours; all quirkily incomprehensible but on the whole easy to leave in the background.

The instrumental tracks are a pretty mixed bunch; not much here is quite as unobtrusive as real ambient music as Eno later came to define it, but some individual tracks (Becalmed, Little Fishes) are a good precursor to Eno’s later, album-length ambient works. Zawinul/Lava has a fairly stripped back, minimal sound, while others like In Dark Trees and The Big Ship make full use of Eno’s talent with a synthesiser to produce moody and atmospheric tracks.

Stand-out track: Becalmed, 4 minutes of pure ambient bliss, just Eno and his gadgets, the way it should be. I could easily have a whole CD of this on while writing (or working, or drifting off to sleep…). Thankfully, that’s precisely what he went and did next.

I have to admit that I often overlook this album as writing music, opting for something from Eno’s later Ambient or Music for Films series, but having listened again in its entirety, I think Another Green World offers a much more eclectic selection of music than most Eno albums, and will probably have something to suit almost any writing mood.

Musically, it marks the transition from weird glam-rocker to godfather of ambient, and is an excellent introduction to the breadth of Eno’s musical talent in both fields. Oh, and if you get hold of a physical copy, check out the liner notes – Eno gets credited with playing, among other weird and wacky instruments: choppy organs, spasmodic percussion and uncertain piano.

And that’s just on one track.

Listen along

Get a copy

Linky goodness

brian-eno.net

Re-Dwarf: Future Echoes

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As the first episode after the pilot, Future Echoes had the task of setting the pace for the rest of the series. In fact it was filmed later and slotted in as episode two because it did just that, and did it well; Future Echoes defines ‘sitcom with proper sci-fi bits’. In case we missed The End, the scenario is re-capped in an introductory ‘distress call’ by Holly, and then it’s straight into Lister and Rimmer antagonising each other.

The bickering between Lister and Rimmer is really the heart of this episode, although the Cat does have a couple of amusing moments (following Rimmer into the bunk room, staring at his Helen Shapiro hairdo) and character-defining lines:

Two suits is dead!

We also meet talkie toaster – making his first appearance as a slightly more sarcastic alternative to Holly – and the dispensing machine with a lisp, voiced by Tony Hawks and adding a nice dose of silly humour early on in the episode. These though, like the Cat at this stage, seem to be largely fillers, just there to give us a break from Lister and Rimmer calling each other goits. That doesn’t matter though, because they are funny fillers.

In fact, this is an episode crammed full of classic Red Dwarf lines, put-downs, Rimmer’s fake scouse accent, physical humour (Lister mixing his deodorant and shaving foam cans), and of course Lister’s conversation with a future echo of Rimmer – pure comedy gold.

The science bit – Red Dwarf going faster than the speed of light and causing all sorts of wibbly-wobbly timey-wimey issues (and a major headache for Holly) – is the only real occurence of scientific theory as a major plot point in series one.

The science also allows some interesting philosophy to sneak in; first, the ever popular sci-fi question of whether a digital replica of a person (in this case the hologram Rimmer) is that person, a question which appears to be bothering Rimmer at this stage, despite Lister’s assurances that

Death isn’t the handicap it used to be.

And that line comes back to haunt him when Rimmer witnesses a future echo of Lister getting blown to pieces trying to fix the navicomp – something Lister is keen to try and avoid, first by not wearing a hat, and later by rugby tackling the Cat. Trust me, it all makes sense in context…

Which is of course the second piece of sci-fi philosophising: theinteraction of time travel, predestination and free will. And grammar.

Lister: Hey, it hasn’t happened, has it? It has ‘will have going to have happened’ happened, but it hasn’t actually ‘happened’ happened yet, actually.

Rimmer: Poppycock! It will be happened; it shall be going to be happening; it will be was an event that could will have been taken place in the future. Simple as that. Your bucket’s been kicked, baby.

And so it seems when Lister’s first attempt to change the future ends up causing the event he witnessed in echo, so he resigns himself to going out the way he came in: kicking and screaming…

The solution to the overheating navicomp which would have killed Lister is never fully explained, but the technology looks very… 80s, and the use of a polaroid camera in the final scene is similarly anachronistic, but other than those relatively minor things, this episode still works well for science fiction that is, after all, 25 years old.

The changes made during remastering of this episode were fairly unobtrusive, limited to visual effects for the jump to light speed and some incidental music to heighten the tension when Lister is about to die. If you can tolerate the somewhat superfluous CG exterior shots, this is probably one worth watching in remastered form if you can; it’s definitely worth watching though, a classic Dwarf episode.

 



CSFF Blog Tour: Edited Highlights

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The blog tour for Broken Wings has prompted a lot of talk of angels, demons and spiritual warfare this week, along with one or two other things.
Here’s a selection of posts that are worth clicking through to find out a little more of what people are saying:
Carol Keen enjoyed the portrayal of prayer and praise in the book.
Meagan has a dream.
Shannon McDermott talks angels, while Julie Bihn tackles Satan.
Karielle interviews the author.
And for a change of pace, check out the video reviews at Jojo’s Corner.
The reviews seemed to be largely very positive, with a few reservations due to middle-of-a-trilogy problems; here is a small selection – there are more, pick a link from the sidebar!

That’s your lot from me on Broken Wings, but there’s plenty more elsewhere on the tour to get your teeth into. Stop off at Becky Miller’s place on your way home for direct links to every post on the tour.

Here, we will return to your regular scheduled blogging on Friday.

CSFF Blog Tour vs Tuesday Tunes: Broken Wings

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This week I’m joining the CSFF Blog Tour, highlighting Broken Wings
by Shannon Dittemore. And a blog tour wouldn’t be a blog tour without a musical interlude, would it?

So here it is: the Broken Wings Top Ten:

10. Anchovy – Broken Wings
It’s hard to tell why this guy is so unpopular, this tune is actually quite pleasant.

9. Joan Osborne – Broken Wings
Cover of an old John Mayall number… wonder if that was before or after The Young Ones?

8. Jesse Boykins III – Broken Wings
Unusual laid back hip-hop/electronic hybrid.

7. Imperia – Broken Wings
Epic symphonic rock, complete with girl vocal.

6. Sage Francis – Broken Wings
It’s hip-hop o’clock, which is probably the least hip-hop expression on this blog so far, and also means look out for the swearing.

5. Alter Bridge – Broken Wings
One of three tracks called Broken Wings I could have filled the list with covers of. In this case, I didn’t.

4. Flyleaf – Broken Wings
It’s Flyleaf. You’ve got to listen to Flyleaf.

3. Stendhal Syndrome – Broken Wings
It turns out they have trip-hop in Spain. And it also turns out some of it is really good!

2. Mr Mister – Broken Wings
I think he was the round purple one with the funny hat. This is the song that came straight to mind every time I saw the title coming up on this blog tour. I blame the 80s.

1. Blackbird and the Storm – Broken Wings
This one’s literally so hot off the press it could have been released specifically for this tour. Seriously. It’s also staggeringly gorgeous.

The playlist is ready for you to listen along, but don’t forget that all this jollity is in aid of a book by Shannon Dittemore – I forget the title of it now – but click one of those links on the right and you’ll find out more.

CSFF Blog Tour: Broken Wings by Shannon Dittemore

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We now interrupt the carefully planned blogging schedule (already) to join the Christian Science Fiction & Fantasy Blog Tour, which this month is highlighting Broken Wings, part two of a YA supernatural trilogy by Shannon Dittemore. Here’s what the author’s website says it’s about:

Brielle sees the world as it really is: a place where the Celestial exists side by side with human reality. But in the aftermath of a supernatural showdown, her life begins to crumble.

Her boyfriend, Jake, is keeping something from her—something important. Her overprotective father has started drinking again. He’s dating a much younger woman who makes Brielle’s skin crawl, and he’s downright hostile toward Jake. Haunting nightmares keep Brielle from sleeping, and flashes of Celestial vision keep her off kilter.

What she doesn’t know is that she’s been targeted. The Prince of Darkness himself has heard of the boy with healing in his hands and of the girl who sees through the Terrestrial Veil.

Brielle has no choice. She knows evil forces are converging and will soon rain their terror down upon the town of Stratus. She must master the weapons she’s been given. She must fight.

But can she fly with broken wings?

If that sounds like your kind of thing, it can be purchased from the links on your left; if you want a second opinion (or twelve) follow the tour through the links on your right. If you’re more interested in photos of the author as a puppet-wielding teenager, visit her website.

Re-Dwarf: The End

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February 1988. Star Trek: The Next Generation had recently launched, but was still a couple of years away from UK screens, where TV science fiction consisted of Kirk-era repeats and Doctor Who. Yes, the first time round – Silvester McCoy and Ace, specifically.

This was the world into which the BBC chose to launch the Jupiter Mining Ship Red Dwarf; possibly a risky move given the extent to which Doctor Who was struggling to survive at the time, but the Dwarf succeeded, largely by being both good sci-fi and a good sitcom.

So for no other reason than that I’ve been a fan since I was a teenager, let’s take a look back over Red Dwarf – starting, of course, at…

The End

The End is slightly different to most Red Dwarf episodes, having to do all those things a pilot episode should: set the scene, introduce the hero (Lister), kill his nemesis (Rimmer), evolve his pregnant cat into a sentient humanoid, allow the ships computer to degenerate into something less stable than a ZX81, and squeeze 3 million years into a single 30 minute episode.

The End is one of the better early episodes, and both the humour and the sci-fi elements have aged pretty well. The story centres on the relationship between Lister and Rimmer which is the core of the series; the laughs flow easily from the characters and the science fiction doesn’t descend into the hard to believe silliness that bothered some episodes.

It’s not, however, a perfect introduction to the series as a whole; Kryten didn’t join the crew until series 3, and the Cat only appears at the end of this episode, and is a long way from the character he developed into in later seasons.

Another thing The End does – and one which is of particular interest to this blog – is introduce us to the cultural and religious history of Felis sapiens, when the Cat tells of learning in kitty school about

the Holy Mother, saved by Cloister the Stupid, who was frozen in time, and who gaveth of his life that we might live; who shall returneth to lead us to fuchal, the promised land.

It’s a throwaway line really, there only to give Lister a purpose – finding Earth and fulfilling his Fijiian dream – and Cat a hint of a back story. A little bit of a religious cliche to resorteth to King James Version English, but that, too, probably just hints at the overall view the show will take to religion.

Re-mastered

Hot on the heels of Star Wars, series 1-3 were digitally re-mastered for the show’s 10th anniversary and in an attempt to increase foreign interest. Like Star Wars, the results of the re-mastering are decidedly mixed.

The original DVD looks very grey and washed out at times, and the enhanced colour on the re-mastered version is a welcome addition. Some of the added CGI… not so much. In some cases – the unnecessary and very out of place skutter, the backs of peoples heads at the funeral – not at all. And although the later style credits are a lot more exciting, I prefer the more low-key, 2001-esque opening of the original. Or maybe that’s just nostalgia.

The sound was re-mastered too, most notably Holly being booted up again to re-record his lines. Interestingly, during this process he adds the words

‘Yes, God?’

just before Lister issues the order to return to Earth, building on the ‘Lister as God’ motif and foreshadowing its further recurrences within the series.

And that is one of the main things I’ll be picking up on as we follow the boys from the Dwarf on their ongoing misadventures. Look out Blogosphere – the slime’s coming home!

 



Work in Progress

wip720dAs part of the purpose of this blog is to track my writing progress, it seems useful to start with an inventory of works-in-progress. Writing new stuff sort of stopped a little while ago as I put my creative energy into this website, but now it’s here, let’s see what I’ve got to work with…

 

Old Testament Space Operas.

Top of my WIPlist at the moment is editing Countless as the Stars for an ebook release; mostly correcting typos that slipped into the print edition and formatting, but some minor text changes here and there as well. Part of me would like to reboot it, but I fear I’d just be Lucassing the whole thing.

The sequel, Children of the Stars, is still in need of a thorough edit, having been drafted during NaNoWriMo a few years ago and left alone since.

I also have an idea for the story of Joseph and his brothers that could round out a Genesis trilogy.

 

The Ambivalence Chronicles.

Started with DragonQuest in NaNoWriMo 2009, but at the moment I’m working a prequel into the series before unveiling it properly.

 

Other sci-fi stuff.

The Nazarene Sect, a planned timey-wimey epic in which Christ’s life on Earth forms a critical point.

An alternate history of WW2. I have sort of an idea for this, but I’m holding out until either (a) I come up with an unusual enough angle, or (b) I become famous enough 😉 for this to stand out among the countless books already written in this genre/time period.

 

Unfinished NaNoWriMos.

Return to Innocence. The black sheep among my WIPs, this has no speculative elements at all. Yet.

Dark Empathy. The story of Mordecai Stone, emotional vampire.

The Ballad of Matthew Smith. An 8-bit cyber-punk Matrix-esque comic fantasy.

Monday Review: The Spirit Well by Stephen R Lawhead

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I’m about to do something quite irritating. I’m about to properly start my blog here by reviewing Book 3 of the Bright Empires Series. Wait, don’t go! Bear with me one moment, for you can still see what I thought of the first two volumes through the magic of hyperlinks: Book One: The Skin Map and Book Two: The Bone House.

So, now you know where to get some useful back story, on with the review.

In summary, our heroes – Kit Livingstone and his erstwhile girlfriend Mina – and their nemesis Archaleous Burleigh are still running around on ley lines trying to put together the Skin Map. And into the already multi-threaded story is added deeper backstory of the Flinders-Petrie clan, and a whole new protagonist, Cassandra Clarke.

With all these threads it has the potential to become a little confusing, and indeed some of the character arcs are less interesting than others – thankfully Kit finds his way out of the Stone Age and back into the main story during this book. (That’s not really a spoiler.)

In this book, for me it was the new sub-plot, Cassandra’s story, that I found most interesting. Cass herself was nothing special, but it is she who meets the Zetetic Society, a strange possibly-religious group lurking in 1930s Damascus and advertising their existence by way of posters that not everyone can see.

Through the Zetetic Society some interesting references to God, faith, and religion as a whole are brought into the story, and while there is reference to Saint Paul being something of a guide to the Society, and bible verses are quoted, it’s debatable whether this is really a Christian group or more of a cult. On the other hand, it could just be a plot device. Incidentally, Mina has also fallen in with some ostensibly more traditional monks, but it is Cass and the Zetetic Society that give us the first real sign of a deeper spirituality behind the story.

The Spirit Well is the mid-point of a huge, mind-bending, dimension-hopping epic, with elements of time travel, fantasy adventure, historical fiction and Lara Croft, slowly baked in the author’s head for 15 years before he felt able to commit the work to paper. Over those years Stephen Lawhead has become a master storyteller, and as such even something this complex seems like an easy read.

When’s Book 4 out?